Q: I noticed that the guys are using different gear on this tour
(amps, guitars, etc.). How about an update on the new stuff.
A: Again, check out the Signal Flow Diagrams..... They are as current as
our '98 summer tour.
Q: I have a question about Stone's apparently new Tele. I saw him
playing a Reddish-Brown Telecaster in a couple pictures a little while
back. Anyway, I noticed that it had a Vintage looking tremolo system on
it..... And, I guess I was just wondering if he bought it that way or
did he get it custom built?
A: The story behind that particular guitar is this.... It's a 1968
refinished candy-apple red Fender Telecaster that has a vintage Fender
Bigsby-style tremolo system. Originally, the guitar was purchased by
Mike McCready a few years ago, but Mike traded it to Stone for a
different guitar that he wanted. Since then it's become a standard part
of Stone's touring and recording equipment. (I'd say overall it's
probably Stone's #2 or 3 guitar.) The guitar was manufactured by Fender
with the tremolo as part of its original hardware. The only changes
we've made to the guitar have been the implementation of graphite bridge
saddles and nut (this helps Stone cut down on broken strings), new pots
and pickup selector switch, and the usual conductive shielding paint in
the pickup/electronics cavities to help reduce noise.
Q: In the video (Single Video Theory) Stone is playing a red
Telecaster and it looks like it's had some slight modifications done to
it. Could you please give some more information as to what kind it is
and what he has added to it?
A: See the above question.
Q: Stone's red Telecaster or Telecaster clone has the nicest tremolo
(system) I have ever seen. I saw a tremolo that looked close to his on a
Les Paul. So did he take a tremolo off a Les Paul and stick it on his
Telecaster?
A: No. The tremolo unit is part of the original hardware for that
Telecaster, as manufactured by Fender. Although the tremolo unit's
base piece was die-cast and painted with the Fender "F," the system is
otherwise identical to a Bigsby tremolo system, which from time to time
can be found mounted on a Les Paul or other Gibson/Gretsch/Guild
guitars. For instance, Neil Young's main guitar - a black 1952
Gibson Les Paul Custom - has a Bigsby tremolo system.
Q: On the acoustic songs on Live On Two Legs, is that a real acoustic
guitar or an electric with a pedal?
A: The acoustic guitar that you hear on "Live On Two Legs" is from a
Hamer "Duo-Tone" acoustic/electric guitar. (www.kamanmusic.com/hamer/)
It's a semi-hollow body guitar that has electro-magnetic humbucker
pickups (for an electric sound) as well as a piezo bridge-saddle pickup
(for an acoustic sound). The Duo-Tone also has two separate output jacks
(one for the electric pickups, one for the acoustic pickup) which allows
the player to have separate control over the sound he/she is going for.
With a blending pedal (such as an Ernie Ball Stereo/Pan pedal), the
player can have either a fully electric/overdriven tone, a fully clean,
acoustic guitar tone, or a blending of both.
During the recording of studio records, Stone or Mike would choose to
use a true 100% acoustic guitar for acoustic parts, but on stage the
Duo-Tone is more convenient, flexible, and sounds pretty good, so it's
a better fit for the road.
Q: What kind of guitars do Pearl Jam use? (Brand, series, name of
guitar.) And what size strings do they use?? It sounds like Mike's are
lighter - like in Given To Fly, his guitar (tone) is higher. What brand
of effects do Pearl Jam use?
A: You're the same guy that asked about what kind of amps Mike and
Stone use, aren't you?? Jeez, the amp list could have been really long
if I'd made it so, but the guitar, bass, and effects list could be
about ten times as long!! So, I'm not going to sit here and list them
all. Sorry. I'd suggest checking out the Signal Flow Diagrams if you
want to see what some of their main guitars and effect pedals are. While
you're there, you'll notice Mike's preferred string brand and
gauge. Mike has the same gauge strings on all of his guitars and I'm
positive that he did not switch to a lighter set just for Given To Fly.
Q: I am just starting to purchase my very first guitar and know
absolutely nothing. I want to get some feedback similar to Pearl
Jam's. What do you recommend? What do Mike and Stone predominantly
use? I assume they use mostly Fender and Gibson but what body style? I
am debating primarily between a Fender Strat and a Gibson Les Paul. Is
one better than the other to start out with? What are the advantages and
disadvantages with each? Would I be stupid to spend around $800 for my
first born? I understand that a lot of it is personal preference, but
your feedback is more than greatly appreciated. Thank you very much.
A: Mike and Stone predominately play both Fender and Gibson guitars.
Stratocasters, Telecasters, and Les Pauls. You're right, one is not
necessarily better than the other to start out with; it's just
personal preference. If you like a thicker, chunkier sound, buy a Les
Paul. (www.gibson.com)(www.fender.com) The biggest difference between the
two is going to be in tone and the versatility of the tones one can
achieve. The body styles are obviously different too, thus resulting in
the way a guitar feels on you. Other than that, the only other BIG
difference you'll find between the two models are going to be in
price. Fender offers three or four different lines of Strats, based upon
the manufacturing location (and subsequent quality of parts and
production). There are the Mexican Strats (cheapest), the Japanese
Strats (middle of the road), and the U.S. Custom Shop Strats (best and
most expensive). That I'm aware of, Gibson does not offer such quality
and/or price variations on their Les Pauls.
You might be stupid to spend $800 on your first guitar, but that depends
on whether you consider yourself rich or not? Do you know how to play at
all right now, or are you pretty much starting from scratch? If you're
just starting, I might make the suggestion of considering a cheaper
acoustic guitar for your first guitar. With an acoustic guitar you
won't have to sink additional money into purchasing an amp, and I
think acoustics are better for learning proper picking, strumming, and
fretting techniques - all your mistakes are easily audible, thus
forcing you to develop better habits, rather than the "cheating"
techniques that you can get away with on an electric. Acoustics, for
this same reason, are also better for developing your hand strength. And
ultimately, if you continue playing guitar, then you can put more money
into getting a nicer electric guitar and amp. And if you lose interest
in playing the guitar - well, then you haven't wasted so much money
into something you don't use. My pick? Check out Taylor's "Baby
Taylor" acoustic. It's small, easily portable, relatively inexpensive,
sounds great for what it is, and is perfect for kids, adults, and/or
beginners. (www.taylorguitars.com)
Q: I know they use (GHS) Boomers strings, but what are the gauges???
A: Mike, Stone, and Ed use GHS Boomers on their guitars. Gauges?? Please
view the Signal Flow Diagrams and find out.
Amps...
Q: I am in the market for a new amp... I was wondering what brands,
make models, types, tube or not tube, or whatever else you can tell me
about Mike's and Stone's amp preferences.
A: Jeez, could you ask me a question that takes about an hour to respond
to?? To start with, first check out Mike and Stone's Signal Flow
Diagrams to see what they use live. Beyond that, the short(er) response
to your question would be to tell you that Mike and Stone have a lot of
different amps. They primarily use vintage tube amps, but are not
limited to only vintage. They have some newer tube amps as well. But
just about all their amps are tube powered. They own Fender "deluxes"
(tweeds and browns), "twins" (tweed and blackface), "vibrolux" (tweed),
"champs" (tweed), "super" (brown), "bassman" reissues, "reverbs"
(blackface), "pro junior"; Marshall "jcm 800s" (100w), "super tremolos"
(100w plexi), "jmps" (50w plexi); Vox "ac-30s"; Savage "blitz 50";
Matchless "hc-30s", "dc-30s", "hurricane 15"; Ampeg "reverberocket"
reissues, "b-15" reissues; Peavey "classic 100", "classic 30", "delta
blues"; Mountain Amps; Mesa/Boogie "studio pre amp", ".50 caliber"; VHT
"classic 1250". And I probably missed a few too.
In the studio, their preferences these days seem to lie more with the
smaller amps. Back on the first two or three records, their preferences
were more with the larger, higher wattage amplifiers such as the
Marshalls. But as I'm beginning to believe about a lot of
guitarists, Mike and Stone's preferences have switched to the smaller
amps (with less power), as they've become more mature players. Billy
Gibbons, from ZZ Top, has preached this theory for years. But the
reality is that there is no right or wrong, it's just about whatever
sound you're going for. Mike and, particularly Stone, have learned
that the tones they're going for in the studio seem to be more easily
achieved with the lower wattage combo amps (Fender Twins aside) than
with the higher wattage heads and 4x12 cabs. Although, that's
certainly not the rule, just my general observation.
Amp preferences for use on the road are slightly different than in the
studio, largely due to the volume requirements on a large stage.
However, any amp that gets used on stage has to not just be loud enough,
but also sound good, have adequate sustain, and is somewhat flexible in
tone. Every stage and venue has different acoustics and so you need a
good amplifier that can be flexible and responsive - yet still
consistent - to it's daily changing environment.
Q: I was wondering if someone could tell me what pedals and amps Stone
is using on tour right now, and also what he used on Yield (I know
that he uses Combo amps and drives them hard, but what Combo's? I'm also
sure that he uses a TS-9 Tube Screamer, Ernie-Ball Stereo Pan, an Ibanez
Sonic-Distortion, GCB Original CryBaby Wah, but what else does he use.
Also, could you tell me the year of his guitars (ex 59' Tele).
A: Please see Stone's Signal Flow Diagram.
Q: I just wondered what type of amp Stone used on the last tour? I
think it was called "Touchless." Who makes these?
A: I'm afraid this is going to be slightly embarrassing for you (so
it's a good thing your name isn't attached to this), but the
amplifier manufacturer is called Matchless, not Touchless. Maybe it's
time for another check-up with the 'ol eye doctor, eh?? Anyways, as I
said, the manufacturer is a company called Matchless out of Pico Rivera,
CA., and the particular amp that Stone has used on stage for several
years is a "DC-30" 30w 2x12" combo amp. Don't let the 30 watts fool
you, though, it's a very loud 30 watts!! However, if you notice by
looking at the Signal Flow Diagram, you'll realize that the Matchless
has now taken a back-up role for Stone on stage. For parts of last
spring's Hawaii/Australia tour, and for all of last summer's U.S.
tour, Stone switched to a Savage Audio "Blitz 50" 50w 2x12" combo amp
for his stage sound.
Tech Guru Tip: For helpful hints regarding tube amplifier maintenance and servicing, please visit our friend, Sal Trentino, at http://trentino.best.vwh.net/. Sal has 35 years of experience working with tube amplifiers and electronics, and for the past 27 years has been Neil Young's amp technician. Over that same span, he has also regularly serviced the amplifiers of Carlos Santana, amongst others. Pearl Jam is fortunate that during the recording of "vs." in 1993, we were introduced to Sal and he has been our primary amplifier technician since 1994. Please, however, direct any questions you have concerning Pearl Jam's amplifiers to the Rumor Pit only.
Effects...
Q: Does anyone know if Stone uses the old vintage MXR Dynacomp
compression pedal or the new re-issue with the big rubber knobs on them?
I like the old one, it's got a cleaner tone to it, just wondering what
Stone prefers.
A: Pearl Jam doesn't actually own any vintage Dyna Comp pedals, so I
guess that makes us reissue users (although, without the removable big
rubber knobs). The Jim Dunlop company currently owns the rights to, and
manufactures all the of the reissue MXR pedals. (www.jimdunlop.com)
It's a lot easier for us to obtain the pedals (and repairs too, if
necessary) through Dunlop, so that's what we do.
However, if you notice in the Signal Flow Diagram, as of this past
summer's U.S. tour, Stone has taken the Dyna Comp pedal out of his
system. Don't ask me why - Musician's prerogative.
Q: I was wondering what type of effects Stone used on the solo in
Wishlist (2nd) and did he just use his volume knob at the end of the
solo or a pedal? I really liked the sound of the guitar and wanted to
get a similar effects pedal.
A: Well, well. I learned something new myself when I researched this
question. Although I'd had never noticed it, the band reports to me
that Stone does indeed play a solo in Wishlist, however, it is only the
first solo section. Stone says he uses his delay during this part. Mike
plays the main (2nd) solo section, and Ed plays the outro solo at the
end of the song. For that solo Ed plays with an E-bow.
Q: Ok, I know from the Musician magazine "complete stage set up"
thingy that they did on PJ about a year ago that both Mike and Stone use
Ibanez TS-9 Tube Screamers. I also own one of these. However I can't
really get a strong (beefy) sound out of it. I was wondering where the
dials are set on Mike and Stone's pedal. Do they always use that for
distortion, or do they use an amp channel switch. My amp is a solid
state Marshall head, with a JCM 900 cab, do I just plain old need a tube
amp, or can I get that strong sound out of this pedal??
A: Did you check the battery?? Ha, ha. Just kidding. Keep in mind that
just because Mike and/or Stone use the Tube Screamer pedal doesn't
necessarily mean that it's the pedal for you too. I'm not going to
sit here and tell you that your solid-state Marshall amp is the reason
you can't get the overdriven sound you want, because I don't know
how your particular head sounds, nor do I know exactly what kind of
sound you're trying to achieve. However, I do typically have dislikes
for solid-state guitar amps. I can tell you, though, that neither Mike
or Stone use solid-state amps; neither typically use channel switching
(they own a few dual-channel amps, but use either one channel or the
other 96 they never switch back and forth); and, when using a
head/cabinet setup, they greatly prefer cabinets loaded with low wattage
speakers (25w) that break up easier. And don't forget about the guitar
itself. My suggestion to you is that if you're not happy with the tone
you're getting from your Tube Screamer, try some other pedals and/or
some different amps. There are a million of them out there. Borrow from
a friend or take your guitar with you to the music store and sit down
and experiment. Footpedals, or amps, aren't exactly cheap, so I think
most music stores should be willing to let you try before you buy.
Q: I am looking to purchase a distortion/overdrive pedal. Can you
please tell me what brand/model pedals Stone and Mike use?
A: Stone and Mike own a ton of different distortion pedals (there are a
million of them out on the market), and different ones get used here and
there during the recording process, but for most occasions they use the
Ibanez Tube Screamer pedal. Check out their Signal Flow Diagrams for
more info.
Q: Just a short question to the TechGuru... What is the order of
Stone's and Mike's effects and amps?
A: Just a short question, huh? While neither of their set-ups are
complex, it's not a question that can be answered with a super short
answer. Check out each band member's page to see their current Signal Flow Diagrams.
Q: I would like to know if you could divulge who made the guitar
effects pedalboards that Stone and Mike put their stompboxes in. I'm an
amateur musician who has been trying to get some expert direction on how
to get one.
A: There's nothing too expert about a pedalboard. Mike's pedalboard was
made by his guitar tech, Jeff O. He just used plywood and spray painted
it black. Stone and Jeff Ament both have custom built pedalboards -
neither of which are complicated in the least - that were manufactured
by the same people that build our road cases. They're also basically
made from plywood and spray painted black, but the sidewalls are
additionally covered with a gray, fuzzy carpet material. In all three
pedalboard configurations, the pedals are placed on the pedalboard using
Velcro.
Q: Do you know if any PJ members used an Ibanez FL-303 flanger pedal
on a tour a few years back? A guitar dealer is trying to convince me
that the band used the effect he has.
A: I do know and the answer is NO. None of the PJ members have ever used
an Ibanez FL-303 flanger.
Note: Please do not ever buy any piece of musical equipment - guitars,
basses, amps, speaker cabinets, effect pedals, drums, keyboards, etc.
said to have belonged to or used by Pearl Jam without first
receiving some sort of proper authentication. Non-authenticated sales of
such equipment only result in you being misled and paying higher prices
than the actual market value would otherwise dictate. With the exception
of only a few extremely limited occasions during their nine-year career,
Pearl Jam has never been in the practice of selling their musical
equipment. At this point in time (while they are still successful and
collectively making music), there is really no need or point for PJ to
be "unloading" unwanted equipment. If you ever question someone selling
musical equipment said to have been used by Pearl Jam, please email the
Rumor Pit and I'll be more than happy to validate it for you.
Misc...
Q: What is the exact tuning Stone uses on "Daughter"? I think its
GGDGBD (from low to high). Am I right?
A: You are correct, sir. Thank you for playing our little game. Come
back again soon.