Gear
G1. What kind of pickups do Ed, Stone and Mike use? type?, placement?,
height?
A: For vintage instruments, naturally we try to obtain the guitar with its
original pickups functioning. Generally, those vintage pickups will sound
great and be left in the guitar, however, if they don't sound so good - or
if the instrument doesn't have its original set - we'll use a replacement
as similar to the originals as possible. We seem to have had really good
luck with Van Zandt pickups (particularly in the Strats and Teles) if an
instrument needs replacements, or if we're selecting pickups for a new
guitar.
As far as height is concerned, that is a variable that pertains mostly to
the set-up/action of the individual instrument. The height of the pickups
are going to be slightly different for each guitar, but basically you want
each pickup to be of the same output (volume) with each other, and similarly
the individual poles for each of the strings across the pickup. Consult a
local guitar luthier or a guitar repair manual for more information
regarding pickup height.
G2. Does Mike ever finger pick?
A: Sure he does, particularly his nose.
G3. The tube screamer referred to as the TS9 in the last Rumor Pit, #30, is
it the reissue model or the original?
A: We have a collection of both. Neither Mike or Stone is picky about
whether they're using an original or reissue - they both seem to sound
pretty similar. If it works, we use it.
G4. What type of PA system does Jack use?
A: I'm going to assume the question is referring to Jack's on-stage
monitors. Jack's drum monitor - as are all the on-stage monitors - are
provided by our good friends at RAT Sound. Specifically, behind Jack is a
2x15" cabinet for subs, and to the side is one RAT sidefill box. For more
information about RAT Sound and the P.A./Monitor system that P.J. takes on t
our with them, check out RAT's web-site at www.ratsound.com.
G5. What type of mics does Jack use?
A: First off, it should be noted that Jack has nothing to do with drum kit
microphone selection or placement. Those choices are made solely by P.J.'s
front-of-house sound engineer, Brett, and on-stage monitor engineer, Karrie.
The list of chosen microphones are as follows: KICK DRUM (Beyer M88 & Shure
SM91); SNARE DRUM TOP (Shure SM98); SNARE DRUM BOTTOM (Shure Beta 57);
HI-HAT CYMBALS (AKG 460); RACK & FLOOR TOMS (Shure SM98); RIDE CYMBAL
(Sennheiser 441); OVERHEAD x2 (Audix SCX-Ones).
G6. What is an E-bow?
A: An E-bow is basically a magnet. More specifically, it's a small
manufactured device (you should be able to find them at any decent music
store) that fits in the palm of a guitar player's picking hand, and when
turned on, creates a small magnetic field. When the E-bow is held just over
the top of the strings (at about the area of the pickups), the generated
magnetic field makes the strings continuously vibrate/sustain giving the
instrument a sound as if the strings were being "bowed". Continue to fret
notes with your left hand as you would normally, however use the E-bow in
place of a pick. An example of the E-bow effect can be heard during the
final solo part of "Wishlist".
G7. Has Stone still got '3' - the Les Paul Custom from Mother Love Bone days?
A: Yes he does, and it still has that number "3" on the headstock too.
That particular guitar is a 1973 Goldtop. It's since been replaced as his
main Les Paul - by a 1953 Goldtop - however, it still goes on the road with
Stone and is used occasionally during the set.