Pop Goes The Country
Tony Bennett's experience with Mitch Miller was little different than that of other strong-willed artists on the Columbia roster in the 1950s and early 1960s. Miller often pushed artists to record...

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  The Beach Boys didn't invent car culture in pop, or even the notion of a musical drag race. But when they put auto-themed songs such as "409" and "Shut Down" on the flip sides of their surfing singles, they codified a genre. Pretty soon, GTO's, Sting-Rays and T-Birds were chasing each other around the radio dial. The Rip Chords were the creation of Beach Boy-to-be Bruce Johnston and pal Terry Melcher (Doris Day's son), and they gave Columbia their biggest entry in the pop-rod sweepstakes. The Rip Chords lacked staying power, but Melcher became a key figure in shaping the label's pop-rock profile.

(C. Connors/M.H. Connors); Produced by Terry Melcher and Bruce Johnston; Terry Melcher, lead and background vocals; Bruce Johnston, background vocals; Tommy Tedesco or Jerry Cole, guitar; Larry Knechtel, keyboards; Joe Osborn, bass; Hal Blaine, drums; Rec. Los Angeles, October 15, 1963. Columbia single 4-42921 (mx. HCO 71578); Originally Released 1963